In Breughel’s panoramic painting, “The Procession to Calvary,” the fallen Savior, collapsed under the cross beam, is mostly ignored. Although he’s right in the center of things, nobody pays him too much mind. Instead, the fantastic landscape that surrounds him churns with a thousand wheels of activity, each cog connected to the other, spinning upon its fellows like the clockwork mill that sits atop a monument of stone, high above. Breughel seems to have loved this approach, philosopher artist that he... Read more