Last updated on: January 2, 2015 at 4:12 am
By
Fred Clark
The first attempt to describe the full scale of the Rapture in "Left Behind" comes to readers third-hand. We're told about the description of the global chaos as described by a passing pilot who is relaying the description he received from someone in the control tower at Paris Orly Airport. Here, as always in these books, Jerry Jenkins' insistence on Tell, Don't Show blunts the immediacy and the impact of what he's hoping to convey. Even stranger, it paints Paris as a hotbed of fundamentalist Christianity. And we learn that the oppressed minority of real, true, Bible-believing Christians makes up 50 percent of the global elite flying aboard the Concorde. Read more