November 7, 2011

Maybe you should buy “The Head In The Heart ‘s” new album…

Back in April, right when we rolled into Eastertide, I started a series of MfM posts on Our Lord’s presence in the music of mainstream culture. I called it, unsurprisingly, Jesus Goes Mainstream, remember?

Today, I’m revisiting the idea with five tunes that take to the four points of the compass, or to the Cross. The set starts off with a flashback to 1976 with David Bowie’s song about prayer and rapidly brings you to the present day and age with the four remaining songs having been recorded since the advent of the New Millenium. (more…)

May 16, 2011

Over the last several weeks here on Music for Mondays, I’ve been exploring Jesus in mainstream culture through music. So far I’ve covered pop hits from the 1960’s and 70’s, as well as the 1980’s up through the early 2000’s. Last week I took you back to the times of Spain shortly after the Protestant Reformation.

Yes, I’m zig-zagging all over the timeline. For this week, I’m moving forward a bit starting in 1723 with pieces by Bach, then to the mid 1700’s with Handel (that’s him in the portrait above) and ending in 1825 with something by Franz Schubert.

First up is a selection that I always remember fondly because my wife chose it for our wedding. What, you too? Ain’t it grand?

Jesu, Joy of Man’s Desiring, J.S. Bach. Performed to a standing ovation of proud parents and admirers, kids from the Joven Orquesta del Club Argentino do Bach’s piece justice here,

St. John’s Passion, J.S. Bach (1724). Performed by The Chamber Orchestra of Kazan State Conservatoire. You know what is neat about this performance from Russia? It’s so well done, and since the Feast of Our Lady of Fatima was last Friday, what better than to hear classical Jesus music from Russia? Thank God folks are able to worship there again! And play music like this too.

St. Matthew’s Passion, J.S. Bach (1727). Bach also wrote a Passion from the gospel of Matthew. Possibly the gospels of Mark and Luke as well. This selection is performed by the Brandenburg Concerto with tenor Martyn Hill. I love the oboe in this piece, don’t you?

Behold the Lamb of God, George Frideric Handel. This is performed by The London Philharmonic Orchestra and Chorus from Handel’s “Messiah.” Handel wrote this in 1741, and revised it in 1754. FYI, Handel is buried in Westminster Abbey and has a feast day on the Episcopal Church calender.

And the Glory of the Lord, George Frideric Handel. Also from “Messiah,” this time performed by the Bow Valley Chorus, from Alberta, Canada.

Ave Maria, Franz Schubert This was played at my wedding too (I married a Catholic girl, remember?). From Schubert’s Lady in the Lake, based on poems by Sir Walter Scott, this is the prayer of the character Ellen Douglas, sung to Our Lord’s (and our) Mother. Led by violinist Joshua Bell, this is the Verbier Fesitval Chamber Orchestra, with guest Angelika Kirchschlager as the mezzo soprano. Bravo!

http://www.youtube.com/watch?NR=1&v=76axBY1UCk4

That’s about all the time we have for today. I promise more for next Monday. Ciao!

May 2, 2011

"Jesus Christ and the rich young man," Heinrich Hoffman.
“Jesus Christ and the rich young man,” Heinrich Hoffman.

One week down, and 6 weeks to go before Pentecost. I’m still exploring Jesus in mainstream culture through song. Last week, I took us from the late 1960’s up until the early 1980’s.

This week, I dip back into the 1970’s briefly before vaulting back up into the Eighties and Nineties again before getting a toehold in the 2000’s. And all of these songs are well known and I would wager that most of you remember them.

First up is one of my favorite classic rock tunes that I forgot to share last week. See? There are more songs that reference Our Lord in the mainstream than even I can keep track of!

ZZ Top (1973), Jesus Just Left Chicago. From their album, Tres Hombres, I forgot this one from the 1970’s last week. I always liked this song too. The idea of Jesus riding a bus from Chicago to New Orleans is cool, not to mention realistic. And with beards like these, the band might be mistaken for monks from Mt. Athos (smile).

John Cougar Mellencamp (1985), Small Town. What can I say? I like small towns, especially when I was “taught to fear Jesus, in this small town…”

Mr. Mister (1985) Kyrie Eleison A reader suggested this one. What ever happened to these guys? They had a monster hit album in 1985 and then…poof! I didn’t even know that this meant “Lord, have mercy” until I became a Catholic—but I always liked this song. Hey, lookee! A live performance,

U2 (1987), When Love Comes to Town. Remember what I said about U2 last week? They’re an undercover gospel band. This is from their live album Rattle and Hum released in 1988. Performed the first time in 1987 with special guest, and blues legend, B.B. King.

I was there when they crucified my Lord
I held the scabbard when the soldier drew his sword
I threw the dice when they pierced his side
But I’ve seen love conquer the great divide

Lenny Kravitz (1993), Are You Gonna Go My Way. Lenny Kravitz singing as Christ. See if you can see any resemblance. The original video has imagery to help, but it can’t be embedded here. But live is better anyway.

I was born long ago
I am the chosen, I’m the one
I have come to save the day
And I won’t leave until I’m done

Carrie Underwood (2005), Jesus Take the Wheel. I never watch American Idol, because I live under a rock. But I can get twangy with the best of ’em, and this is one of the best I’ve heard in a while.

Jesus, take the wheel
Take it from my hands
Cause I can’t do this on my own

I wonder what I’ll dig up next week? Maybe I’ll head back to the Enlightenment era to see what I can find. See you here next week.

April 25, 2011

True enough, Elvis Presley loved gospel music. And though he never shied away from singing of his love for the Lord, did anyone else? I mean besides Johnny Cash. Did the culture at large recognize Jesus in song?

Well, that is what this first MfM post of Eastertide is going to focus on: pop songs about Jesus. Many of them were mega-hits, others were one-hit-wonders. Some you’ll remember easily, others probably not.

Eastertide is roughly seven weeks long, extending from the Easter Triduum up until the Day of Pentecost.  I’m willing to explore this over the next seven weeks if you are. To begin with, here are some modern songs that the mainstream culture created and embraced that relate in some way to the Son of Man.

For some of these, you might have to go directly to You Tube. First up is my all time modern favorite,

The Doobie Brothers (1972), Jesus is Just Alright. Yep, this is my favorite tune about Jesus that went mainstream. Wikipedia has the whole story: Jesus Is Just Alright” is a gospel song written by Arthur Reid Reynolds and first recorded by Reynold’s own group, The Art Reynolds Singers, on their 1966 album, Tellin’ It Like It Is. The song’s title makes use of the American slang term “all-right”, which during the 1960s was used to describe something that was considered cool or very good. Well, the Doobies version of this tune is the Gold Standard, in my book anyway. Even when it’s updated for 1996…

http://www.youtube.com/watch?v=Ie9sY_zp9xg

The Velvet Underground (1968), Jesus. Yes, this is Lou Reed singing. That’s right, the same fellow who sang “Take a Walk on the Wild Side.” This song is a prayer, pure and simple.

James Taylor (1970), Fire and Rain. The third stanza begins with, “Won’t you look down upon me, Jesus…” You can claim that this song has no effect on you. And I would believe you just as much as I would believe that Ayn Rand didn’t hold grudges (which means not at all!).

Norman Greenbaum (1969), Spirit in the Sky. I bet you never saw this video. I said once before that I used to think this was T-Rex. Norman’s “one hit wonder” jams! Listen to that guitar and these lyrics, and try to keep still. I dare you.

http://youtu.be/HTFIKkuuXGk

Marvin Gaye (1970), Wholy, Holy. This song was eclipsed by several other great songs from Marvin’s smash hit album What’s Going On. I’m sure you remember the title track, as well as Mercy, Mercy Me. The second stanza of this song includes the following,

Jesus left a long time ago, said he would return
He left us a book to believe in
In it we’ve got an awful lot to learn…

And it will take an eternity to appreciate it all. I’m game, how about you?

Stephen Schwartz and John-Michael Tebalek (1969), Prepare Ye (The Way of the Lord). And certainly, we can’t forget the musicals from this era. Up first, Godspell. Wikipedia again: It started as a college project performed by students at Carnegie Mellon University and moved to La MaMa Experimental Theatre Club in Greenwich Village. It was then re-scored for an off-Broadway production which became a long-running success.

Tim Rice & Andrew Lloyd Webber (1973),  Superstar. From the Tony Award winning musical Jesus Christ Superstar.  This is the most famous song from the musical.  Here we have Judas and the Soul Sisters vs. the Angels.

Donna Summer, (1980), I Believe in Jesus. Who says we stopped singing about Jesus in the 1970’s? They must have not have been paying attention. Donna Summer, the woman who launched her career with Hot Stuff, from her album Bad Girls,  gives us the right stuff with this song just one year later.

Depeche Mode (1989), Personal Jesus. I’ve shared this one before too. Consider that prayer is a lot like making a phone call to God, or as I told my daughter this morning, like sending Him a text message (and you can do it as often as you text your friends). Yep, Dad is weird.

U2 (1997), If God Will Send His Angels. If you need a modern group that doesn’t shy away from Jesus, look no further. As far as I’m concerned, Bono and the boys are an undercover gospel group.

April 30, 2012

 

Last year around this time for Eastertide, I started exploring Jesus in terms of popular culture through music. There were classical posts, and posts on polyphony, naturally. But there were also posts built around songs about the Lord through pop-rock songs, rhythm & blues, and country tunes as well.

Maybe it is an American phenomenon (though I hope not), but Jesus Christ haunts us. It’s like today he still asks of us, “who do the people say I am?” And then he still asks us individually, “and who do you say I am?” (more…)

May 22, 2011

Like a champion athelete that should retire when they are on top, I probably should have quit when I was ahead when it comes to the most recent Rapture scare. But the thing is, this isn’t the first prediction of the end of the world and it won’t be the last.

The Bible may not guarantee it, but I will. And we get to do this all over again in 2012 too? Sheesh! But wait a second; the Bible does guarantee something: there is no knowing when the end will come, so stop with the guessing already.

Not only does Christ the LORD state this clearly (see Photoshopped billboard above) once, but He does so repeatedly. Here, here, here, and here. For good measure, the Apostles Peter and Paul do so as well, here and here, respectively. And did I mention Christ said it again here? Practically everywhere throughout the New Testament! Sorry to engage in Shock and Awe scripture tactics but beware the Catholic who reads his Bible regularly.

So, you see, I’m still going to have some fun with this event while hopefully spreading the Truth with Charity (see above links, por favor). Oh, and before we get any further, the Catholic Church (the one founded by the Just Judge Himself) has stated unequivocally that what Christ and the Disciples said about all the end of the world stuff is absolutely and unchangeably true. Catholics believe in the end of the world. It will happen once, and for all. But not on the time-table of any charlatan who thinks he can decipher the mind of God the Father. Even the Son didn’t go there. So that idea is most assuredly laugh-out-loud funny.

So let’s get to some of the music that my friends and I thought of while waiting for this most recent bout of end-times silliness (see you again next year) to pass. First up, the best pop song I can think of that makes light of Apocalypse now!

It’s the End of the World, As We Know It (And I Feel Fine), R.E.M. No set up for this is needed, right? I felt fine, how about you? I didn’t even break out my stash of spare bricks for the post-Rapture looting I invited everyone to attend. Yep, I was that confident that God wouldn’t satisfy the pride of a huckster by showing up on the schedule (say that the British way, for effect) of a mere mortal.

Rapture, Blondie. A number of my friends posted this one on their Facebook walls. About all that this song has in common with the end of the world is the word “rapture.” Deborah Harry helped bring rap music mainstream with this song. The Mars Attacks! theme sort of reminds me of the zombie apocalypse (see my “Theology of the Zombie” post for details) scenario in a way.

Dueling Banjo, from the movie Deliverance. See, God is subtle, and as the scriptures (and the Church) clearly teach, the end is unknowable. And your personal end is unknowable too. But something like this happening might be a sign that you should pay attention to. Just sayin’.

http://www.youtube.com/watch?v=MoW6ffS7YGc&feature=related

One of Us, Joan Osborne. Several of my friends shared their “If this was the last day on Earth” music as the clock ticked down. This tune made Catholic author Mary DeTurris Poust’s play list. She also wrote a little post about the event you may enjoy as well. Have a look while you listen to Ms. Osbourne.

Everybody Wants to Rule the World, Tears for Fears. The idea for sharing this song just came over me. Perhaps it’s the name of the band, which fits this event to a “t”, as well as the general idea behind the song. Harold Camping, and his ilk, have a problem with letting the Maker of Heaven and Earth, of all that is seen and unseen, rule the world, see? Yo! Mr. Camping—get your hand off the tiller.

Won’t Get Fooled Again, Pete Townsend. This song is about politics on one level, and about being duped (with startling regularity) on the other. A huge hit for Pete’s band the Who, he’ll go a little softer with his acoustic version. But not much.

I Will Always Be True, Third Day. Rounding out this seven song set, the gang from Third Day puts this whole episode into the proper perspective for us. After all, Truth Incarnate said “Do not let your hearts be troubled. You have faith in God; have faith also in me.”

http://www.youtube.com/watch?v=GGkpKDrjHYI

Next week, I’ll get back to the Jesus Goes Mainstream series.

July 29, 2014

Sam_Rocha_&_Co

Long time readers of YIMCatholic know that I’ve got a thing for music. Once was, I ran posts to start the week off every Monday with selections of whatever turned my fancy. Rock & roll; classical; Jesus going mainstream; you name it.  I even built a Pandora station, or four.

The thing is? I have no idea why I like the music I do. But when I do like it, I tend to share it with you in posts either dedicated to music, or sometimes I just slip a track in on you unawares. You just never know where I might add a tune. Saavy? (more…)

July 19, 2011

As regular readers know, I’ve shared music on the blog practically since Webster invited me aboard. I don’t recall how it happened, but I remember when he posted a YouTube video in a post and I thought, “wow, that is cool. I wonder if Webster would let me post some music videos too?” We did a post together in January of last year, and by then the fledgling project got off the ground in earnest.


Blah, blah, blah, Frank…whoop-de-do, right? Music for Mondays, big deal. I know, I know, I go over the top with it sometimes, and other times I barely even add liner notes. But the thing is, though I’m not gifted with musical ability myself, I really enjoy music, and respect it as an artform. And though the MfM posts published here run the gamut from Chant to Classical, the bulk of my posts have been written around popular music. And for the most part, rock n’ roll.

So why am I boring all of you about this late on Tuesday night? Because I just found out about a book that I simply must read, and I discovered a blog that I’ve just added to the “Cool Links” list and, à la Mark Shea at his Dark Lordly best, I will command that you all go investigate it at once. First the book.

No, I haven’t read it! I only just found out about it. It’s written by a fellow named David Nantais, a guy with a resume about a mile wide and two miles deep. David thought he wanted to be a Jesuit priest, see, and he studied at the seminary preparing to follow that vocation. He got married back in 2008 and, well, go look at his CV for all the details.

I saw a brief sketch of a review on his recently published book entitled Rock-A My Soul. Here’s what Fr. James Martin, SJ (author of The Jesuit Guide to (Almost) Everything) had to say about the author and the book,

David Nantais is, hands down, one of the best young writers on Christian spirituality: inviting, inventive, and insightful. In Rock-a My Soul, he offers a fascinating look at how rock music, often thought to be a threat to faith, can actually support and nourish one’s spiritual life. If you’re a music fan, Nantais, a rock musician himself, will show you how the music you love can draw you closer to God. If you’re a believer, Nantais will serve as an experienced guide to modes of experiencing God that you might never have considered. And if you’re a music fan and a believer, well, then this book will, as the band said, rock you.

Operators are standing-by, order your copy today! This is exciting news for me, because I love rock, and of course, I love the Rock of our Faith even more. As my MfM posts will attest, I’ve always seen the complimentarity between the yearning of human beings, and how our deepest longings are often reflected in contemporary music. Jesus, indeed, goes mainstream through music.

And now, here is your next assignment me hearties: go check out this neat blog called Rock and Theology that I just happened upon. I would tell you more about it, but I’m too busy letting you know that it even exists to have spent much time there myself. It all started when,

a theologian friend sent me a link from “Whispers in the Loggia,” to a story about Notker Wolf, then the head of the Benedictines, a Catholic religious order. There was Wolf, strumming an electric guitar with right hand, left hand a-swashing the neck forth and back, face full of focus and a drum kit off his right shoulder. Oh, yes, that’s definitely an atypically liturgical shade of concert orange sidelight shining onto him and the kit, as well. And that cowl—so exceedingly metal! As a cohabitor of Catholicism, rock music, and theology, as a devotee of loud sounds shaken out of guitars under auburn lights, I could hardly breathe. What face of rock was this? I felt in this picture a strange, uncontrollable, entrancing, and consoling beckoning.

Whaat? The head of the Benedictines, Dom Notker Wolf is/was a rocker?! That alone is just another reason why I am Catholic. Then I found out that the blog is part of a project sponsored in part by Fordham University, etc, etc, and there is a boatload of contributors, including David Nantais, all of which have advanced degrees in music and are rockers in their spare time.

Look, I’d love to chat about this with you some more, but I have to head on over to Rock and Theology for a little bit of spiritual rock n’ roll therapy. Feel free to join me!

http://www.youtube.com/watch?v=G-Z5gD6dp5A&feature=related
May 9, 2011

Over the past couple of weeks, I’ve been sharing musical selections from contemporary culture that are Christocentric. This week I wanted to take that same theme, but apply it to a much earlier era. While attempting to do so, I stumbled upon the works of Tomás Luis de Victoria.

Now, if I was from Spain, I would probably have learned of de Victoria in grammer school. I’m not from Spain, but I’m a Catholic now, see, so Christ’s whole world is open to me. Call it Jesus’s Big Back Yard, and come along with me to learn about one of our neighbors.

I found an article about de Victoria in the on-line version of Gramophone, a publication out of the U.K. that purports to be “the world’s authority on classical music since 1923.” The author, Edward Breen (who packs enough musical/intellectual bonafides to fill a barn) writes,

Born into a large and influential family near Ávila in 1548, Victoria died in Madrid on August 20, 1611. As a choirboy in Ávila Cathedral he studied with the leading Spanish composers of his time, yet this great Spanish renaissance composer was to be active in Italy for an important part of his life. In the mid 1560s he was sent to the Jesuit Collegio Germanco (a seminary founded in response to the spread of Lutheranism) in Rome.

Avila? Where have I heard of that place before?

Enrolled as a singer, Victoria would have lived alongside English, Spanish and Italian boarders as well as those in training for the German missionary priesthood. In the period leading up to his first publication of motets (1572) it is most likely that Victoria knew Palestrina  (who at the time was maestro di cappella at the Seminario Romano) and may even have been taught by him. Certainly modern commentators feel that Victoria was the first Iberian composer fully to master Palestrina’s style. His work as a singer and organist in Rome lead to a teaching post at the Collegio Germanico and eventually to the priesthood after his wife’s death in 1577.

The “eventually to the priesthood after his wife’s death,” is the part that really woke me up. How many times have you heard that folks who become priests, or immerse themselves in the faith, just can’t cut the mustard in the arts? Or in the sciences, for that matter? But sticking to the musical arts, here is a guy who was perhaps a model for Fr. Antonio Vivaldi, a composer you may have heard of, to look up to and perhaps follow in his footsteps.

How important is this de Victoria guy anyway? As the Catholic Encyclopedia reference on Passion Music tells it, he is important enough for the experts to Italianize his name because,

Probably the most important musical interpretations of (the Passion) text are the two by Tomas Luis da Vittoria (1540-1613). Vittoria, retains the plain-chant melodies for single persons and makes them serve, after the manner of Obrecht, as canti fermi in the ensemble. The value of these works is proved by the fact that for more than three hundred years they have formed part of the repertory of the Sistine Chapel choir for Holy Week.

Make that 400 years now. I found another citation on Fr. Tomás where I least expected it. Would you believe Absolute Astronomy? That’s where I learned this about the guy I’d never heard of,

is the most significant composer of the Counter-Reformation in Spain, and one of the best-regarded composers of sacred music in the late Renaissance, a genre to which he devoted himself exclusively. Victoria’s music reflected his intricate personality. In his music, the passion of Spanish mysticism and religion is expressed. Victoria was praised by Padre Martini for his melodic phrases and his joyful inventions. His works have undergone a revival in the 20th century, with numerous recent recordings. Many commentators hear in his music a mystical intensity and direct emotional appeal, qualities considered by some to be lacking in the arguably more rhythmically and harmonically placid music of Palestrina.

Calm down though and remember who is writing this post. Like I said when I wrote about Fr. Vivaldi, I’m no music scholar; I only know what I like. So let’s have a listen to Fr. Tomás’ work and see what all the fuss is about.

Vox Coelestis, O Magnum Mysterium. All I can say is Alleleuia indeed! Here is the English translation,

O great mystery,
and wonderful sacrament,
that animals should see the new-born Lord,
lying in a manger!
Blessed is the Virgin whose womb
was worthy to bear
Christ the Lord.
Alleluia!

Tallis Scholars First Lamentation for Maundy Thursday.

Taedet animam meam. This is taken for the Book of Job (10:1-7) Get out your Bible and read along.

Westminster Cathedral Choir, ‘Communio’ from Requiem

http://www.youtube.com/watch?v=gt2-XyWQAVg

Matritum Cantat Choir, Tenebrae factae sunt.

Well, what do you think? Would you believe there are nine pages worth of videos of his works over on You Tube? You can learn more about Fr. Tomás in Grove’s Dictionary of Music and Musicians. Meanwhile, I need to get cracking on learning more about this fellow named Palestrina.

March 7, 2010

Last week I asked EPG, an Anglican reader of this blog, to pose some questions for Catholics, to provide a forum for discussion. I gather that these questions represent reasons why he, and others, are not (yet) Catholic. His first question concerns what may be the biggest stumbling block: the role of Mary in Catholic worship. Listen carefully, answer respectfully. I will put in my two cents after citing his question verbatim:

I have some concerns about the extent of Marian devotion. I can understand devotion to Mary in the context of the communion of saints. Asking Mary (or any of the saints) to intercede would be analogous to asking a good friend, an older brother, or one’s mother for prayers on one’s behalf. I am perfectly comfortable with the respect and even veneration for Mary arising from her actions, from her first assent at the Annunciation, and from that time on. I have no issue with the titles “Theotokos,” or “Mother of God.”

But there does seem to be a point at which the partisans of Mary go overboard, and attempt to direct our attention to her, in place of Christ. For example, I find myself deeply uncomfortable with the thought of considering Mary as co-Redemptrix. See, for example, this blog.  The author is a former Episcopal priest, who has apparently been accepted into the Catholic priesthood. Is he an exception, or in the Catholic mainstream?

And there is a radio program (played on our local Catholic station, and syndicated widely) that seems to go overboard in its emphasis on Mary.

So how do all of you respond to Mary in your lives as Catholics? Are there areas in which you see excesses in Marian devotion. (I could throw out that fine old epithet “Mariolatry.”) Or, coming from an Anglican Protestant background, am I missing something? If so, what?

EPG, I can’t give you formal Catholic apologetics on this one. But I’ll pass this post on to Ferde, because I know he can.

What I can give you is my experience. Among Catholics I know, I do not see an extreme emphasis on Mary, and I never hear talk of her as co-Redemptrix. (Oh, there was some rumbling about it in our men’s group one day, but we rumble about everything.) But just as I was drawn to the Catholic Church by the example of the saints, who were never reverenced or even referenced in the Episcopal parish of my youth, I have friends, including Mitch, who say they were brought to the Catholic Church by the Blessed Mother.

When I first started coming to daily Mass, I didn’t have much feeling for Jesus. Who was he exactly? I thought only of God—like a good Unitarian, I suppose! But now, through readings, Father Barnes’s homilies, daily reception of the Eucharist, Eucharistic Adoration, and, notably, I think, my participation in Communion and Liberation, I recognize Jesus as my Lord and Savior, and I seek a deeper relationship with him.

Mary? Except during Lent, Saturday morning Masses at our church are usually dedicated to the Blessed Virgin (as the church itself is dedicated to Mary in one of her many roles, “Star of the Sea”). Two candles are lit on Mary’s altar at the front left of the nave; Father Barnes says a couple of extra prayers; and as a recessional he leads us in “Salve Regina” or another Marian hymn. That’s it. (“Our” Mary illustrates this post.)

Now, it’s my understanding that Father Barnes is a doctrinaire Catholic priest, in the best sense of the term. He is true to the teaching of the Church and faithfully communicates it to us. (Let me tell you: If he weren’t that way, Ferde would be all over him!) So, by association, I suspect that this level of reverence—one day a week, say, along with the Marian Feast Days like the Assumption—is pretty much the norm.

One more point: While I have tried warming to Mary, as explained here and here, I haven’t fully succeeded. I don’t feel any less a Catholic for that. My devotion, if I have one, is to St. Joseph, who was also a favorite of one of our great female saints, Teresa of Jesus (of Avila). I recently bought one of Ann Burt’s lovely retablos of St. Joseph. I have it hanging in the “prayer corner” of my private office at home with a candle under it. I light the candle every morning and say a prayer to St. Joseph. And I am trying to learn more about him, especially now during Lent.

I do not think my devotion to St. Joseph gets between me and Christ. Joseph and Mary were Jesus’s earthly parents, who sheltered Him and educated Him, and to whom He was obedient. I trust that whatever may be my level of devotion to either of these unique parents, they will only bring me closer to Christ.

But I’ve taken too much space here! Readers, respond please! Not only with doctrine, which I need help with, but especially with your personal experience. Do you think the Church goes overboard with Mary? What about the blog and radio program cited by EPG? Are they typical?


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