"Here we see the "pro-family" ethic of Timothy LaHaye's brand of religious conservatism at work. Rayford is, first and foremost, a husband and a father. The dead and the dying who surround him at the airport are strangers, untermenschen. They are not his family and therefore, according to LaHaye's pro-family view, Steele is right to ignore them on his way back to Irene and the kids. (Even though, by now, Steele has a pretty good idea that Irene and the kids are long gone.)" Read more














