“Material Madchen”: I read “The Artificial Silk Girl”

at AmCon:

I picked up Irmgard Keun’s 1932 novel The Artificial Silk Girl at the Neue Galerie in New York, basically on a whim. It promised to be a dizzying tour of Weimar Berlin, last call before Hell and all that, from the perspective of a young, single woman whom the introduction compares to Madonna’s “Material Girl.”

Certainly our heroine, Doris, is materialistic in a certain sense. She pays her bills by dating men. Her closest relationship is with her stolen fur coat. (The letter she writes to the coat’s rightful owner is a terrific, tilt-a-whirl study in ambivalent amends.) But she isn’t hard-headed; her desires are a collage of sentiment and hunger. She maintains her girlish figure easily, since throughout most of the novel she can’t actually afford food.

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