A Quasi-Conversation with Sir Ian McKellen

Ian McKellen is one of those folks to whom I would happily listen as he read the proverbial phone book.

My first brush with His Lordship remains one of my favorite cinematic portrayals — Chauvelin from The Scarlett Pimpernel (1982) — and his voice is an enormous factor in that role; indeed, in any of his performances. Not particularly deep or stentorian, but so smooth. So mellow. And as clear as crystal.

Luckily, we’ve got a whole lot more of Sir Ian’s mellifluous abilities than a simple phone book. And my newest discovery (which I stumbled upon quite by accident while researching Richard III’s most recent foray into the (inter)national consciousness) is just the latest drop in the glorious bucket: StageworkMcKellen.com — a  Flash-based exploration of Sir Ian’s thoughts on many things Richard III-related, presented in such a way that it feels a bit like a conversation.

The technical details can be a trifle cumbersome — how many times must I click on these questions to get a complete response? — but the man’s charismatic charm, his grasp over The Bard’s works, and his infectious enthusiasm for the material make for a thoroughly enjoyable experience. McKellen’s analysis of the opening speech alone is worth the price of admission — Oh, wait. FREE! — and the comparisons of Olivier’s, his, and Nelson’s versions of that opening are a blast, as well. What a great little site.

Here’s a taste to whet your appetite:

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About Joseph Susanka

Joseph has been doing development work for institutions of Catholic higher education since graduating from Thomas Aquinas College in 1999. A grateful resident of Wyoming, he spends his free time exploring the beautiful Wind River Mountains, keeping track of his (currently) seven sons, and thanking his lucky stars for Netflix.


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