Otherness, Power and Privilege: Vampires Are Us

Lilith Dorsey and Margot Adler. All rights reserved.

Okay, I want to be a vampire, who doesn’t? They have great clothes, great hair, intimidating power, and they live forever. No wonder people are lining up for films like Twilight, and continuing to worship at the altar of Buffy Summers. I even met a gentlemen at a pagan event who claimed to practice the Vampire religion. Not sure what this entailed except for an albino complexion, a lot of leather, and a propensity for weirdness. I don’t know what to make of that, and I’m also not sure what to make of this recent resurgence of Vamp-tastic film and fiction. Luckily, Margot Adler has sunk her teeth into this material and she lays it bare for us.

I met Ms. Adler for the first time over a decade ago when she attended on of my Voodoo rituals. It is truly an honor and a privilege to know such an iconic legend for Pagans and women everywhere. Her most recent book Vampires Are Us is honest, thorough, and compelling- everything we would wish a vampire book to be.

Adler begins with a touching explanation of her own connection to the topic, about personal and public meditations of death, and then situates the origins of the phenomenon in it connection to early fantasy science fiction, a point I have made in my in depth look at Spiritual lessons from Sci-Fi. Because quite frankly there is almost always a reason to invoke Mary Shelley and that fateful weekend at Villa Diodati. where Frankenstein and The Vampyre saw their unholy births.

 

Intense Power

Vampires Are Us begins it chapter on power with the following quote from Buffy Summers “There is no good or bad, there is just power.” These creatures of the night are the ultimate power. Physical, sexual, intellectual, economic, political… almost every permutation of power is at their disposal.

 

Eating the Other

Bell Hooks‘ seminal essay on “Eating the Other:Desire and Resistance” has always been my go to text about Vampires, I even made a short film about the racialization of vampires. Margot Adler touches on this concept in part when she brings up the notion of otherness as it relates to the meta-vampire tale. She calls them “ outsiders and dark rebels with enormous strengths.” This makes them simultaneously dangerous and desirable, a deadly duo.

 

A Whole Lot of Reading

Vampires Are Us by Margot Adler

An extensive body of work was consulted during the research for Vampires Are Us. Margot Adler read more than 260 vampire novels, and she does us the favor of devoting the second half of the book to a complete bibliography of these. There are a wealth of suggestions here, I’m glad to see old favorites of mine like Anne Rice’s Queen of the Damned, and Baudelaire’s famous poem “Les Fleurs du Mal.”There are also some you may have missed like Carlos Fuentes’ Vlad and George R.R. Martin’s Fevre Dream, which makes Adler’s top twelve list. I recommend Vampires Are Us to anyone wishing to learn more about these dark demons, both inside and out!

For more information about Margot Adler please visit www.margotadler.com

 

Vampires Are Us is a feature in the Patheos Book Club, and my fellow Patheos Pagans are having a Vampire roundtable. Please sink your teeth into their work too:

Christine Kraemer “Vampires and Addicts
John Halstead, “How Vampires Led Me to Paganism
John Beckett, “Vampires Are Us
Niki Whiting, “Are We Vampires?
Peg Aloi, “REVIEW: Vampires Are Us, by Margot Adler

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About Lilith Dorsey

Lilith Dorsey M.A. , hails from many magickal traditions, including Celtic, Afro-Caribbean, and Native American spirituality. Her traditional education focused on Plant Science, Anthropology, and Film at the University of R.I, New York University and the University of London, and her magickal training includes numerous initiations in Santeria also known as Lucumi, Haitian Vodoun, and New Orleans Voodoo. Lilith Dorsey is a Voodoo Priestess and in that capacity has been doing successful magick since 1991 for patrons, is editor/publisher of Oshun-African Magickal Quarterly , filmmaker of the experimental documentary Bodies of Water :Voodoo Identity and Tranceformation, author of Voodoo and Afro-Caribbean Paganism and The African-American Ritual Cookbook, and choreographer for jazz legend Dr. John's "Night Tripper" Voodoo Show. She believes good ritual should be fun and innovative, and to that end she led the first ever Voodoo Zombie Silent Rave Ritual in July 2013, complete with confused Thriller flash mob.


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