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September 2013
September 02, 2013
The Ultimate Life (Landon, Jr., 2013)
When we stop asking our films to save the lost while entertaining the justified and...
August 2013
August 28, 2013
The Bourne Identity (Liman, 2002)
One of the more interesting moments in The Bourne Identity comes about a quarter of...
August 25, 2013
Taxi Driver (Scorsese, 1976)
Given that admission, there's no real upside to admitting that Taxi Driver doesn't float my...
August 21, 2013
You’re Next (Wingard, 2013)
Making a horror movie must be a little like writing a sonnet. The form is...
July 2013
July 31, 2013
The Great Gatsby (Luhrmann, 2013)
About thirty-five to forty minutes into The Great Gatsby, I started wondering if I was...
July 19, 2013
Iceberg Slim: Portrait of a Pimp (Hinojosa, 2012)
I did not intentionally watch Iceberg Slim on the week in which a man of...
July 18, 2013
Salò (Pasolini, 1975)
I can't say I wasn't warned.
July 10, 2013
Deuce Factor
It wasn't so much that there were a half-dozen movies as bad as or worse...
July 09, 2013
Terms and Conditions May Apply (Hoback, 2013)
I haven't been this depressed after a movie since An Inconvenient Truth.
July 08, 2013
CFP–Faith and Spirituality in Masters of World Cinema, Volume III
The editor of Faith and Spirituality in Masters of World Cinema Volume I (Cambridge Scholars...
July 03, 2013
Pirates of the Caribbean: The Curse of the Black Pearl (Verbinski, 2003) — 10 Years Later
I'll probably never win over the skeptics, and that's okay, but ten years later, Pirates...
June 2013
June 21, 2013
Some Girl(s) — (von Scherler Mayer, 2013)
An oddly engaging but ultimately unsatisfying endeavor, Some Girl(s) is best described as a cross...
June 16, 2013
Free China: The Courage to Believe (Perlman, 2011)
One of the more unfortunate side-effects of the polarization and politicization of American discourse is...
June 12, 2013
Mumia: Long Distance Revolutionary (Vittoria, 2012)
"Do you feel safer?"
June 01, 2013
What Maisie Knew (McGehee and Siegel, 2013)
Kids see, hear, and understand as much as we fear and more than we let...
May 2013
May 19, 2013
Vito (Schwarz, 2011)
If you are a straight male of a certain age, Vito Russo's book, The Celluloid...
May 03, 2013
Iron Man 3 (Black, 2013)
The strange thing, the downright bizarre thing, about this quest is that Marvel Studios and...
May 01, 2013
Ballad of Narayama (Kinoshita, 1958)
The same month that the Academy was handing best Foreign Film honors to Michael Haneke’s...
April 2013
April 25, 2013
Pain & Gain (Bay, 2013)
"Is it just me, or is Michael Bay giving a deliberate middle finger to the...
April 19, 2013
Oblivion (Kosinski, 2013)
Oblivion may be one of those films that is easier to mock than to dislike....
April 18, 2013
Far Out Isn’t Far Enough: The Tomi Ungerer Story (Bernstein, 2012)
Ungerer ties his bold proclamation that "children should be traumatized" to his artistic vision that...
April 09, 2013
Exporting Love, Exporting Hate
One of the more striking contrasts between Rocky's mission and IHOP's is that his orphans...
April 07, 2013
The Editor and The Dragon (Campbell and Clark)
In 1953, the Pulitzer Prize for was awarded to the editor of the Tabor City...
April 05, 2013
After Tiller (Shane & Wilson)
Abortion is not an abstraction.
April 02, 2013
A Fierce Green Fire (Kitchell, 2012)
Mark Kitchell's A Fierce Green Fire takes a longitudinal view, contextualizing arguments about global climate...
March 2013
March 31, 2013
Remote Area Medical (Reichert & Zaman, 2013)
It is hard to think of a proclamation of Jesus that is harder to understand--or...
March 30, 2013
Venice Souvenir (Gaffin, 2013)
Comprised of dozens of short (one or two minute) vignettes, Venice Souvenir attempts to capture...
March 26, 2013
In America (Sheridan, 2003) — 10 Years Later
Between 1989 and 2003, Jim Sheridan was nominated for six Academy Awards. Three were for...
March 04, 2013
A Royal Affair (Arcel, 2012)
The themes of surrendering to a self-torturing, illicit passion is rote, but the theme of...
March 02, 2013
Searching for Sugar Man (Bendjelloul, 2012)
In sublimating every other theme to it, he ends up repressing the film's potential greatness...
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