When I saw the National Theatre’s production of Frankenstein, I thought there were two somewhat cliché ideas that were lent additional depth in this staging. Previously, I wrote about Frankenstein learning humanity from his possibly inhuman monster, but there was also an interesting use of a trope as the creature learned to be a man. When the creature confronts Frankenstein’s wife near the end of the show, she marvels at his humanity and his sophistication, but when he lists what... Read more