2019-01-16T20:21:45-05:00

Many of you are familiar with the rising star of astrology known as The Meccanism or Mecca Woods, author of Astrology For Happiness and Success and co-host of TLC’s Stargazing. It was a true joy to be able to interview her here on Voodoo Universe. You can watch the video of the full interview below, however since the sound quality is problematic at times I transcribed the first part of the interview. 

Lilith Dorsey : I’m so excited today to be able to interview Mecca Woods, The Meccanism. I just want to say I support you in all that you do…. ’cause it’s so wonderful. I love the book, Astrology For Happiness and Success, get the book everyone. I’ve never interviewed an astrologer before, so that’s exciting. How did you get started and really interested in astrology ?

Mecca Woods: It was something I was always interested in, but I didn’t really take it seriously until I was at a crossroads in my own life. Trying to figure out what I wanted to do career-wise, also kind of like…. my love life wasn’t as great, and what happened was I picked up a book. It told me all about this particular, well I was dating a Scorpio. I mean that is the stereotype of Scorpio, they are so mysterious, and I was struggling with this person. The book happened to be written by a Scorpio, and it was so good I ended up getting a reading from her, and that kind of set the ball rolling in terms of just trying to get everything I could get in terms of researching… I didn’t even know what a birth chart was at that time but she showed me. She was able to tell me things about myself that she wouldn’t have known otherwise, and that really hooked me. From there I got other readings, other books, and eventually it came to a crossroads. It came to a precipice where I was getting ready to quit my job, ended the relationship that I was in, and then also thinking well maybe I could do this for real. The way that the stars aligned was I was in a Goddess camp class and ended up meeting the woman who became my mentor.  So everything lined up one by one, and eventually I just took the leap and decided to fully plunge into astrology. That was about 9 years ago.

Lilith: Wow, that’s a while, certainly in these days where everyone after 5 minutes is an expert. So do you practice other methods of divination ?

Mecca: I do practice tarot. I don’t read for other people, I read for myself. I work with tarot cards, oracle cards… and that’s pretty much it.

Lilith: What’s your favorite deck ?

Mecca: I think my favorite deck, in terms of using is the Dust II Onyx deck. It’s such a beautiful deck.

Lilith: I love it. I interviewed her here on Voodoo Universe.

Mecca: I’ve used it a few times, but I’m scared to take it out of the box.

Both of us in unison: It’s soooooo pretty.

Mecca: Then I have a few other decks. The Raven’s Prophecy, I just like the artwork. Then I have the Earthbound Tarot, and the oracle cards.

Lilith: So how often do you consult astrology? Every time something new comes up, do you do a reading about it?

Mecca: Probably everyday.

Lilith: That’s good. I read everyday too, but I think most people don’t. They only pick it up when there’s a problem.

Mecca: It’s okay. I always try to tell people I don’t want astrology to be a crutch. I want it to be a tool, but not a crutch. So if people are not reading, or checking their horoscope everyday that’s perfectly fine. Because ultimately what I want people to do is to be aware yes, but also be in the driver’s seat, you are making the decisions. I never want it to be a situation where people are leaning so much on astrology that they can’t think or make decisions for themselves.

Lilith: Do you have any advice for new people who are just starting with Astrology?

Mecca: Yes, study, study, study. Even though I’ve been doing this for 9 years, Astrology is so vast, and there are still things that I don’t know. Which is one of the reasons I was drawn to it. There is something new to learn every day. I think it’s really important to study as much as you can, getting your mentor is really helpful, and just practicing as much as you can… with friends and family. That’s how I did it when I first started out , “like hey let me get your birth chart.” Just to have that practice, because sometimes you can read the books, and the books can tell you something, but it’s not until you’re actually with the person and you’re consulting then you can kind of see how a chart or a placement or a transit is playing in their life. So practice and study and practice some more.

Lilith: I think that’s great advice. I have a friend of mine who is a professional astrologer and he keeps everybody who he has ever done their chart on his phone. So that way like if those transits or aspects show up in another reading that he is doing he can pull it up, and it’s just like oh this is just like this other person I know and now I see how it operates in the day to day world and give you better practical advice you know. So I think that’s really helpful.

You can find Mecca Woods on TLC’s latest digital offering Stargazing on Facebook Watch, and on her website at MyLifeCreated.com 

As always if you have enjoyed what you read here please remember to like, comment and share !

2018-12-08T09:33:23-05:00

Underground Railroad Cross photo by Witchdoctor Utu. All rights reserved.

I’ve been writing about cultural appropriation for some time now. I’ve done videos, workshops, and blog posts about the subject. If one things is clear it is that things are not simply black and white, to pardon the pun. When it comes to ATRs, or African Traditional Religions, one must realize that they are complex systems, where each ile, hounfor, or house is run as a completely autonomous entity which is self-governing and self-defining. My opinions on the recent controversy surrounding Witchdoctor Utu are solely my own, but they are however based on decades of experience and initiation in these traditions, as well as my degrees in cultural anthropology.

The obvious issue that come to the fore is whether or not it is acceptable for non people of color to practice these traditions. The fact of the matter is that many already do, and this has been the case for several hundred years. Personally, I believe that if the religion is approached with the proper respect and tribute then it is okay for anyone to practice. My experience has shown me that each practitioner must be evaluated individually and also on the basis of lineage and training.

I could go on about this for hours … and I have. However, the real reason for this post is the Con and the controversy surrounding Witchdoctor Utu. Now I have known Utu for a long time. I actually even wrote an endorsement for his new book Conjuring Harriet “Mama Moses” Tubman and the Spirits of the Underground Railroad. It reads ” It is not often that Black History and magick are given the attention and respect they deserve. Conjuring Harriet “Mama Moses” Tubman and the Spirits of the Underground Railroad is an incredible work whose time has come. Witchdoctor Utu and I have been spiritual family for almost 2 decades, we have been together inside ritual and out, and I truly can’t find enough wonderful things to say about him. His first book is stunning and not to be ignored.” But this discussion is no longer about the book. What has happenned since Utu was removed from the list of presenters at PanTheaCon has escalated into a dystopic nightmare of accusations, lies, and even threats. I feel compelled to publish here statements from Utu himself, and Baba Teddy Olujimi Jauw, who wrote the foreword to the book. What follows is their unedited statements- 

Statement from Witchdoctor Utu :

This whole ordeal; my yet to be released book and my presence banned from a Neo Pagan conference, albeit the largest one in the world has opened more than a few cans of worms.
Originally it was cultural appropriation that was leveled at me and my work, a futile attempt and since shot down and rescinded thanks to many, especially since there are still several white women on the program teaching conjure/hoodoo, Brujeria, Japanese and South American practices, so if cultural appropriation was truly the case, everyone would have been removed, but alas it was only myself that was singled out, and irresponsibly so.
I also want it to be known I am no victim here and have not felt hard done by. I simply defended myself and have taken the moniker of “banned” and “dangerous” as a badge of honor, and PantheaCon has actually blessed my work and the legacy of the spirit world within the pages of my book. I will prosper because of it, the legacy of the many spirits of the Underground Railroad both black and white, Canadian and American, receiving attention in a manner they would not have if this ordeal had not transpired.
However, seeing as I was able to withstand a fairly ferocious attempt at assassinating my entire character with many other baseless accusations having nothing to do with appropriation and in fact coming out of it stronger than before, I am happy to let this be a point of attention for the many uncomfortable and complex issues it has brought to the forefront.
Am I as a Scottish born Canadian raised man entitled to be among African Traditional Religions? Of course not, however I was invited in. Despite the overwhelming support from Priests and Priestesses of African Traditional Religions throughout the over the 15 years I have been sharing these practices surrounding the Underground Railroad spirits as well as when this ordeal took place, for which I am very grateful, this is not an African Traditional religion I am presenting in the first place.
All I have done is shed light upon heroic figures as well as the unnamed and forgotten freedom fighters and freedom seekers who I feel are worthy of exhalation and reverence, and used my privilege and standing to reveal some aspects of the Underground Railroad that has previously been suppressed, mostly by white American academia, especially in regards to how much voodoo, root work, spiritualism and conjure were a part of the freedom train.
Of the many complex issues at hand is the fact that several Underground Railroad descendants both Canadian and American, some of a historic nature not only supported my work throughout but enabled me in this book. They feel that their legacy is not represented by religions with roots in the Caribbean, South America and their cultures. And despite our different cut in cloth as many of the descendants are in fact Christian and in particular Episcopalian and Baptist, that the truth is the truth and should not be suppressed. If U.G.R.R. descendants are alive today because of the many means that their ancestors used to empower themselves through numerous spiritualities then all of those spiritual practices deserve to be counted when honouring the many brave men and women who had to crawl through swamp and marsh, perused relentlessly by torturer’s and bounty hunters. The Underground Railroad is a North American legacy, a black legacy as well as white. It was a unique clandestine movement that brought many religions, colours, classes and two countries together to fight against human bondage. I live in St. Catharines and have now for 30 years, I live right where Harriet “Mama Moses” Tubman brought her track to its end. The Underground Railroad is a part of my regions culture and the spirits are crying to be heard, understood and wiling to help us elevate ourselves as better humans while elevating their legacy. If sacred work of this nature is to be deemed conversational and open up many uncomfortable feelings and notions, all of them dignified, entitled and true, then so be it, I am happy to be of service in any way that I can. (statement ends)

 

Statement from Baba Teddy Olujimi Jauw :

I am writing this because I have many friends who are trying to understand this from an objective standpoint and have messaged me privately and sent me emails to try to ‘grok’ what’s going on. Especially my California friends in Big Sur, San Francisco and other places where I was a part of POC spiritual communities.
In short, Utu was ‘deplatformmed’ as a speaker at the upcoming PanTheaCon, one of the largest spiritual gatherings in the country. Doublespeak. He and his unpublished book were banned. I won’t delve into the details but, in short, he has been accused of ‘appropriation’ as well as a number of unspecified attacks and vague insinuations that are more personal and totally unsubstantiated because they are completely groundless. I won’t aid their cause by fanning the flames of gossip and innuendo but you can read about this by reading the Wild Hunt and reading the comments as well. It’s very convoluted and has devolved into a social media trial and circus.
I will start by admitting that while I may be honest, informed, understanding and factual as I can be, no one within the controversy would consider me ‘objective’. Let me explain…

WHO I AM IN ALL OF THIS

I would have to say, at the outset, that I am uniquely positioned to comment on this debate that has blossomed across the country, unlike 99.9% of all other participants, because a) I have actually read the book and b) I wrote the Foreword. This is an unpublished book they are all talking about and making decisions about. A very good book.
PanTheaCon acted unilaterally to ban the presentation without having read it or giving any sort of minimal due process. They simply believed a group of people who are a) not in charge and b) not informed. When confronted, they doubled down and eventually closed their open FaceBook group, deleted all mentions and published a wan explanation that left out the original ‘appropriation’ excuse and, instead, put forward a personal and passive aggressive attack.
Because of this, Witchdoctor Utu has been forced to defend himself against a slew of mushrooming attacks by people who a) have no direct information and b) are just piling on because he is white, a foreigner, a male, has long hair, dresses funny or whatever they could think of in a misguided campaign of white saviorism ‘social justice’. Unfortunately, just having to defend yourself these days can make other gatherings stay away from you or simply assume your guilt.
So I will address this logically and confront PanTheaCon’s original rationale. Then I will address why this is dangerous to all of us who write, teach and practice ATR’s and diasporic American religions as well all other forms of paganry, heathenry and non-Christian alternative religions.

APPROPRIATION

The implication here is that a person who is white (and Scottish) cannot a) write a book about Harriet Tubman and b) speak about it from the standpoint(s) of the diasporic traditions of VooDoo, HooDoo, Conjure, Rootwork or any number of variants that this work is related to or a part of. I will address the race issue first.
These American descendants of Haitian VooDoo or Vodou variations are part of a North American diaspora that came through New Orleans from Haiti (Cuba and the DR) starting in the 1600’s. These variations are the descendants of ‘ATR’s’ or African Traditional Religions.
‘Vodou’ is a Dahomey/Fon based word that means ‘our gods’ or deities, Orisa, Saints, Lwa or what have you. It is not a religion but a way to classify the many cultures, religions, archetypes and concepts of the many peoples who were taken into slavery or opposed the colonial forces throughout the Gulf Diaspora, Central and South America.
What we call Voodoo (in Haiti, the DR and diaspora) is an amalgamation of hundreds of cultures and in many variations to the point that ‘voodoo’ in one village looks nothing like the ‘voodoo’ in the next village over. Most indigenous participants think of the word ‘voodoo’ like we say ‘belief’. So in the island once called Hispaniola we will hear people say that they are RaRa, Rada, GaGa, Obeah, Gineh Fon, Voodoo, Vodoun, VoDou and more. And, for instance, GaGa in one village may look closer to Obeah than the Gaga in another village.
There is no one religion, no bible, no pope, no ten commandments and no central authority. Those are white cultural constructs. While some may call it a religion, that is only to garner respect from a western perspective.
The variant that overtook New Orleans in the 1700’s was largely based on the Yoruba religion so it has many Yoruba, Igbo, Hausa attributes mixed in with others. I am a priest of what is called Odu/Ifa in Nigeria and am consecrated in its Haitian Offshoot called Gineh Yoruba VoDou. What may be closest to the original variation brought into New Orleans when hundreds of Yoruba speaking ‘Ogou Warriors’ kicked the ass of the French Army.
They were transported by the Polish Mercenary Navy.
This is important to this debate. When Haiti won its independence as the very first free country in the Americas (way before the USA) it did so with an alliance of many African peoples and many other ethnic groups. As Voodoo became more homogenized, its practices absorbed all of these peoples. Toussaint L’Ouverture, the first president of a free Haiti declared Poles as ‘black’.
So, a typical ‘veve’ or symbol will have the Yoruba symbolism, but it may also have the Islamic ‘Musa’ symbol of Moses brought by Arab slave sailors, the Polish symbols of Polish Masonry and Catholicism whose black madonna (Our Lady of Czestachowa) is the national (and voodoo) Haitian patron. It may also include french Heraldry, Spanish ‘gypsy’ (Sinti and Roma from India and Pakistan), native Arawak or Taino Mayan symbols and most especially (to this topic) ‘Bridey’s Cross’. Because one of the most important ‘Lwa’ or deities of all VooDoo is ‘Ma’am Brigitte’ who was brought by Irish, welsh and Scottish female slaves banished by James II hundreds of years ago.
To say that a White Scotsman cannot be initiated into this tradition is a) patently false and b) provably ridiculous. Especially when he is shining a light on slavery and its modern day existence and giving us a traditional ritual and usage we call ‘Elevacion’ to liberate ourselves.
Moreover, the diaspora of the original ‘Gineh Yoruba’ eventually became NOLA Voodoo, Appalachian HooDoo, Southern Rootworking, Louisiana Swamp Witchcraft and encompassed Native American, American Slaves, Irish, Pennsylvania Deutsch, Sicilian Stregheria and other beliefs. The diaspora of African ‘VooDoo’ included any race, religion or culture that would have information or gods to oppose their common oppressors. It is rooted in the oppression and suppression of all peoples who were marginalized by racism and European religion. In other words, ‘whatever works to fight slavery’.
Not only does Utu’s book address this but it makes a powerful case for the elevation of slavery’s most iconic warrior and symbol. It encompasses the movements of abolition and escape and how Quakers, Atheists, Suffragists, Canadian Episcopalians, and other white groups defended, fostered and helped keep the Underground Railroad Underground as well as a powerful case to say that Tubman retained her ‘roots’ even as a practicing Christian. Many slaves did. Do.
To suggest that only a person of color may present this case is silly. To know that a group of non POC decided this is defacto racist in and of itself. The bottom line is that their ignorance of our religions and our makeup and our history is what happens when people think they are your saviors.

WHY THIS MATTERS

The modern diaspora movements have been multicultural since day one. Since Columbus landed on what is now Haiti bringing the first two slaves. Muslims.
For those of us who teach, preach, perform or practice any religions that are non traditional, this represents a chilling precedent where someone(s) can decide only black people can be voodoo and, therefore, only white people can be certain kinds of ‘Pagans’. We are already seeing this. These Spiritually Eugenic purity tests and purges are frightening and becoming more prevalent.
Even within this debate, we hear people saying that you are ‘homophobic’’ if you don’t accept that the Faerie traditions should only be for gay men. We have also heard that only women can be witches. Only people who believe in Polyamory are truly Wiccan.
This stuff happens but when self appointed saviors or purity police get to brand people as ‘appropriators’, ‘fakes’ or ‘enemies’ or ‘dangerous’ then we have entered into a realm of prejudice, fear-mongering and control we usually associate with Fascism and Religious Autocracy of European Colonialism and Colonial Christianity.
It happens. But when the organizers of Conventions and Gatherings that are supposed to celebrate our differences (see definition of ‘Pan’, ‘Thea’ and ‘Con’) capitulate to outside agitators, purity protesters, non-members of the practices they think they have the right or ‘privilege’ to police, then the effect is more than chilling. It is dangerous.

Especially when those who have the ultimate responsibility of making these decisions do so without public rationale and eliminate all evidence of their own wrongdoing and insinuate they did this for our own ‘safety’. Their message is passive aggressive but plain.

WHAT CAN YOU DO?

Please feel free to tag yourself in the comment thread or picture. If you are a leader, teacher, author, priest, priestess, etc. of groups that will be affected by this please communicate your titles and opinions on platforms like Wild Hunt, PanTheaCon’s page or feel free to republish this under copyleft commons. Also, the gatherings that you frequent who may become suddenly afraid of religions not usually or not well represented. Place your presence and your money in gatherings that share your values, openness, tolerance or even just curiosity.
And use whatever bully pulpit you have to oppose prejudice, purity tests, odious orthodoxies and misguided, misinformed movements and individuals.
Become informed before you comment. Don’t assume. Don’t be silent when you see an injustice and let the good always outnumber the bad. Mostly, don’t believe everything you read. Even this. Do your homework before you take sides.
Mostly… Do No Harm (statement ends)

In Conclusion

In response to much of this discussion earlier this week Pantheacon released a statement which can be found here. I realize that this is a heated topic, if you would like to comment below we would love to have your input but please be respectful to myself, Witchdoctor Utu, and Baba Teddy. And remember to like and share !

 

2018-05-08T07:31:02-05:00

Lilith Dorsey photo by Frances Denny. All rights reserved.

Insights of a Priestess in Publishing is a guest post by journalist Donni Floyd . She conducted the following interview with me, and I am pleased to be able to share it here. 

Lilith Dorsey, M.A. is an illustrious authority on all things Mystical; an accomplished academic with an masters in anthropology and film from NYU, she found her life’s calling in the Spiritual.  Formally initiated in the practices of Haitian Voodou, New Orleans Voodoo, and Santeria, Dorsey specializes in providing accurate and respectful information on the Afro-Diaspora Religions and practices, writing notable bodies of work such as Voodoo and Afro-Caribbean Paganism, 2004 a much-revered text on the belief system and practices of Voodoo that is often misrepresented, and Love Magic, 2016 a delightful reference guide of spells and recipes to attain, keep and revitalize love from every aspect.

I was a fan well before I met her, admiring her prose and commitment to teaching about the Afro-Diaspora religions and practices when the subject simply wasn’t addressed, or if so, was done with negative rhetoric that was out of context or not factual.  When I found that we lived in the same City, (she’s a Brooklynite born and bred) I jumped at the chance to have a reading from her.

Let Hollywood depict a first-time meeting with a Voodoo Priestess, she would be rife with darkness and intimidation, dramatic face paint in all black holding a bloody chicken head. Reality: She had on yoga pants on and a t-shirt, with glasses, an easy smile and a hearty, contagious laugh. Her apartment was warm and and eclectic, vintage furniture with accents of color strategically placed. The sun streamed in through various plants that lined the windows. I sat down on the sofa as she picked up her well-worn cards, and gave me a wonderful, very reassuring reading. I then asked if I could conduct an informal interview with her, to which she graciously agreed.

A week later, we sat down for a teleconference. I was all nerves and again, but Lilith was very easy-going and gracious. We had a 30 minute conversation -here is an excerpt:

So you primarily write about Voodoo and other Spiritual Practices; if you had to choose another genre to write about, what would it be? What lives in your heart besides Spirituality?

L: I think I would enjoy travel writing, you know what I mean? ! I love cooking but I think that’s a little hard to get across, just writing about it… it’s more of an experiential kind of thing. But I really do love travel and I would love to do more of it!

What other writers and journalists in your industry do you admire?

L: Oh that’s an interesting question! I really like the Editor of the Witch’s Almanac [Andrew Theitic] He’s an old friend of mine who took over for an old Witch friend of ours [Elizabeth Pepper, original owner of the Witches’ Almanac who died in 2005] I met him ages ago – I didn’t always live in New York, I left for about 10 years – I met him when I lived in Rhode Island. He just always struck me as a person who was so together, informed and knowledgeable, someone who was kind and compassionate and all those things in one. I really do appreciate his work. It’s not dilettante, he does witchcraft, and all these different things, but he really knows his stuff, which is rare for someone who’s into a bunch of things.

My Editor at Patheos, Jason Mankey, he’s very good. You know, when you’re a journalist, you have to engage your reader, and sometimes the material isn’t as exciting as it should be, and he always manages to make everything really exciting, and I appreciate that about him. He just did a series on Summer Festivals, and for each one, he related a pop song from the seventies! [Laughs] And that’s how he wrote about each festival, it was great! I think my favorite one was “Staying Alive” [Circa Bee Gees 1979] I was like, oh okay, that festival’s been around for 25 years so “Staying Alive” is a great song for that festival!  He’s just creative in what he does, and he knows his stuff too!

I love that! Is there an experience that is transformative or life changing for you? 

L: I don’t know, there’s so many! I tend not to write about the big things because that’s hard to write about, I tend to write about the little things. People tend to call me out a lot, and I get annoyed, and I go on a rant, and I don’t like to do that…[both of us are laughing] but I feel like those turn out to be my best pieces because they’re really passionate in response. I had a friend that likes to say “ forget about the good teachers – those people that put obstacles in your way, those are the bad teachers and those are the ones who stick with you, push you and make you go further.” I did a post a couple of weeks ago about someone who hadn’t even read my books, [Love Magic, 2016 and Voodoo and Afro-Caribbean Paganism, 2004] and were criticizing them.

Marie Laveau candle photo by Lilith Dorsey. All rights reserved.

How does that work?? It seems that’s how we roll today, we respond to titles without reading the articles, and satire is taking as face-value truths… it seems it’s where we are as a society and it’s just sad…

L: No it’s true and I think that people don’t really want to think either, you know? Like they just want everyone to think for them. I was revisiting a post I made about St. John’s Eve, and I called it “The Darker Side of Solstice” Saint John’s Eve in New Orleans, it’s the holiest holiday we have – It’s the Marie Laveau Holiday, they used to do it on the longest day of the year, but in New Orleans, you’re not celebrating the day and all this light, it was a nighttime ceremony, about the shortest most concentrated darkness, and readers immediately chimed in “It’s the Solstice! What’s dark about it??” [Laughs}

They obviously never got to the article – Reading is fundamental! [Laughs]

As a journalist, did you go through the traditional submission process? If so, how did that work for you? Did you get something from that process?

L: I wish I could say I did get something from that experience! [Laugh] It used to be that you sent out 50 or 100 submissions and you’d get one acceptance; I’ve been published in Parabola, which is a scholarly journal but I have not been successful in mainstream publications, although I’ve tried.  Now most of my work that’s published is because I know the editor and they may say “Hey, we’d really love to have a piece from your perspective because they don’t have enough women, or people of color, or we would like more about your tradition, so that’s been much more successful for me than blind submissions. It’s sort of like submissions for book publishing, it’s across the board in publishing that if people don’t know you, it’s next to impossible to get your work in there and I think that it’s such a shame.

So was this your experience when you published your books? Was it who you knew or where they already familiar with your writing?

L: I think it was a little of both. I had a friend who bought a publishing house and commissioned me to write my first book – Voodoo and Afro-Caribbean Paganism, 2004 – and when that publishing house folded, my friend became my literary agent instead and shopped my book to all the major houses until he got an advance for it. And this was back in 2003, it wasn’t like today where the market is full of hoodoo conjure books and everybody’s an expert.

Yes, it’s really trending right now.

L: Right! And my 2nd book, Love Magic, 2016 I feel like the blog really helped! My editor came to me and said, I read the blog, we really want to see another book from you. So I really do think that you can do it [publishing] yourself! I’m fortunate that my blog [Voodoo Universe] exists on the biggest religious platform in the world, Patheos. It’s not a big thing, I don’t have to answer to anyone, I can write whatever I want, I can be political… I can say four letter words if I want, and if I get “x” amount of readers, I get paid! So I believe anyone who has a message they want to get out there, blogging is the best way to do it.

What are the pitfalls in publishing that you’ve encountered?

L: Well, you know, within every industry there’s networking, personalities, drama; there are jobs I’ve had where someone doesn’t like “this editor” and if I write for them, I won’t get hired for the other job… it just gets really weird, unpacking some of it. And there’s still a lot of prejudice about what I do [being a Voodoo Priestess ] so that makes it very difficult. And incidentally, some publications that have been around for 20 or 30 years are surprisingly disorganized! [laughs]

What is your advice to other aspiring writers and freelancers of color looking to navigate the waters and tell our stories?

L: I would say get out there, network with the people whom you’d want to work with, because that works the best. And again, that’s any industry! [Laughs] It allows you to connect to your people and it allows people to get to know who you are.

This was the brunt of our journalism conversation. I thanked her again for her time and insight. Voodoo Priestess Lilith Dorsey is pretty awesome. I know we only graced the surface of her experiences in journalism; but I was left with a sense that she is a priestess of a thousand adventures. One day, I hope to get her personal account of every single one in a memoir.

As always if you have enjoyed what you find here please remember to like, comment and share !

2018-04-17T07:26:07-05:00

Oshun shrine candle photo by Lilith Dorsey. All rights reserved.

People of all faiths and traditions can set up a Goddess shrine. They can be part of the sacred spaces of Wiccans, Pagans, Ceremonial magicians, devotees of African Traditional Religions, and even, in a way, with some Christians ( with the reverence for the Virgin Mary.) Shrines for the Goddess have been made by humans for thousands of years, since the beginning of culture.

As someone who has been setting up altars and shrines my whole life, I forget sometimes that people may not know how to begin creating these devotional areas. Let me start by making the distinction that altars are usually created for a specific purpose, while shrines are generally set up as a permanent way of honoring what is represented. If you would like to welcome the energy of a specific Goddess in your life, creating a Goddess shrine is a wonderful way to begin.

Goddess Shrines : Separate But Equal

The first thing to think about when setting up a Goddess shrine is location. Obviously, this decision is going to be dictated by which Goddess you are honoring, and where her sacred power lies. Another thing to consider is the amount of space you have, and what type of space that is. Do you have a large space, or a small one ? Do you need to keep it hidden from prying eyes or others who may be in your home ? Is it a place you need to protect it from small hands, or paws (you know what I mean)?

In my post on How To Create A Shrine For Yemaya I write “Remember to always consult with your godparents before setting up any type of shrine, or purchasing something. Begin by making sure you have a separate space for your shrine. Many Lucumi devotees even craft separate cabinets so their shrines can have equal but divided space. At the very least set up your shrine on a table, and cover it when you have guests present or are not actively honoring it. ”

Some African Traditional Religions have a prohibition on setting up a shrine in your bedroom. The belief is that the intimacy of that room should be kept separate from your sacred life, and this is something I was always taught from leaders in the New Orleans Voodoo religion.

Goddess Shrine : Size Matters

A few months back my godson offered a workshop called Size Matters: Crafting Mini-Altars and Shrines. Many people have the need for smaller shrines to use for travel, or even in your own home. These types of shrines can be crafted in small tins, cigar boxes, or just about anything. They use smaller offerings than you would put on a regular size shrine, but their functionality is the same.

What To Put On Your Goddess Shrine

Vijayadashami special decoration For Goddess Mahalakshmi photo by Mahalakshmi gubbi. Licensed under CC 4.0

Obviously, the things that you place on your shrine will be specific to the Goddess you are dealing with. There are some commonalities, however. Very often people leave a tribute of flowers or food. As in the photo of Mahalakshmi which accompanies this post.

Goddess Shrine Offerings Can Include :

  • Flowers
  • Plants
  • Candles
  • Food
  • Drink
  • Images of the Goddess
  • Statuary
  • Crystals
  • Items specific to the Goddess you are honoring ( for example Amber for Freya, Raisins for Hekate, or Oranges for Oshun)

 

Further Resources and Readings about Goddess Shrines and Altars

There are many books and resources to consult about setting up sacred spaces for the Goddess in your place. One amazing resource, which I am proud to be part of,  is the Mystery School of the Goddess. A sacred feminine wisdom school, they offer online classes and workshops detailing all aspects of Goddess worship.

Vodou and Santeria books photo by Lilith Dorsey. All rights reserved.

As far as the Afro-Caribbean traditions are concerned there are a few books I would recommend. First there is Santeria Garments and Altars by Ysamur Flores-Pena and Roberta J. Evanchuk. This wonderfully illustrated book includes numerous sacred garments and spaces used in the religion. Flores-Pena talks about one specific altar or throne for Oshun saying ” this particular altar would be … ‘a structure within a structure.’ In this sacred space, for seven days, the iyawo would eat, sleep, and experience the process of initiation into the priesthood of Oshun….[His] altar and the initiate who becomes part of it, together, must send a message to those who see it. ” And there certainly is a lot to see here. Another wonderfully illustrated work, this time dealing with Haitian Vodou, is Vodou Things: The Art of Pierrot Barra and Marie Cassaise. Personal expression is key here. Consequently, the focus is on devotional works of art that are altars and shrines in their own right.

Finally, for more information on other ways to honor the Goddess please check out my book 55 Ways to Connect to Goddess. As always if you have enjoyed what you read here please remember to like, comment, and share !

2018-04-18T09:41:28-05:00

Mat Auryn photo provided by subject. All rights reserved.

I’m delighted to be able to interview Mat Auryn as part of our Divination Space Station series. His blog For Puck’s Sake is one of the newer ones here at Patheos Pagan, but with it’s insightful reviews, interviews, and musings very quickly it became one to watch. Read below as we talk about tarot, auras, Labyrinth, and more.

When did you start divining and with what method?

As cliché as it sounds, I’ve always been pretty tuned in. Even as a small child, I would tell people when introducing myself to them that I was a sensitive boy. In retrospect this kind of humorously takes on a different meaning. My natural psychic dispositions have always been clairtangency being able to just know information from holding an object (psychometry) or sensing with my hands where energy is coming from, and external clairvoyance such as seeing spirits, lights, shadows, auras, sparks, etc. All the other clairs I’ve had to put a lot of time and energy into their development throughout my life.

I actually come from a fairly psychic family on both sides, though undeveloped due to religious beliefs. When I was an infant I’m told that my father would point and direct energy at me and I’d start bursting with laughter and he’d move further and further away doing it until he could be in another room in the house than I was and point at me and I’d start cracking up in my crib.

At a young age, I discovered Silver Ravenwolf’s books, which led to the beginning of a lifelong exploration of various spiritual, metaphysical, and occult methods and ideologies.

My first tarot deck was a gift that I received when I was 14 years old as a freshman in High School. I had absolutely no idea what I was doing beyond the instructions in the little white book. Luckily, I had plenty of kids who were willing to be volunteers at lunch. I can’t say that they were the best readings though. I would literally have to look up every card’s meaning and just read the keywords and then read what the card position meant in the Celtic Cross Spread.

After High School, I began studying the tarot and psychic ability a bit more seriously. In my early 20s, I was able to read tarot without the booklet and slowly was able to bring intuitive and psychic information into the readings that weren’t associated with the card meanings. When I moved to the East Coast I eventually began reading professionally for complete strangers at an occult shop in Salem and then began a serious private practice during the off-season.

Which method do you use most often now?

I mostly work with Tarot because it’s like an old friend. It can help make sense of psychic information that isn’t completely clear sometimes. Doing a purely psychic reading can feel overwhelming or confusing at times due to information coming through all at once and figuring out where to start or how to make sense of it. If psychic information were music, the tarot for me is like having it written down as sheet music where I can see a clear timeline and how the information is supposed to be grouped. While I still work with other forms of divination, I haven’t found anything quite as strong as the Tarot, and that may be because I’ve worked with it for so long.

How important is the choice/phrasing of the question?

I think it’s pretty important, honestly. In fact, I’ve written an article on that topic itself. I’m a total nerd when it comes to Jim Henson’s Creature Shop projects such as Labyrinth, The Dark Crystal, and The Storyteller, partially because of the folkloric wisdom, spiritual lessons, and esoterica that he put into them. In the movie Labyrinth, a reoccurring motif is asking the right questions. In the movie there’s a scene that exemplifies this perfectly. The character Sarah needs to get to the castle and she comes across a worm while frustrated who is able to provide help with directions. She tells him that she’s looking to solve the labyrinth as such he stops her from heading the direction she was going and has her go the other way to solver the labyrinth. It’s only when she’s left the scene that the worm states that if she went the other way she would have went straight to the castle. Asking the right questions can help you receive the more specific answers or guidance that one is really looking for.

Do you have a yes/no method of divining you recommend?

Sometimes I work with a pendulum for yes/no questions, though I really dislike those types of questions as I feel they’re limiting and can strip the person of their personal sovereignty in the situation itself. My more common method for discerning yes/no questions is to create a ball of energy in each hand.  Then I will mentally assign one as “yes” and the other as “no”. I’ll focus on the question and feel how the energy balls change in my hands while focusing on the question. I think this method works stronger and quicker for me because of my natural disposition to clairtangency.

Is there any advice you have for newcomers when using divination?

Tons! Ha! If I had to boil it down to the top most important pieces of advice it would be to be clear on your intentions of why you’re doing readings. I believe that one needs to be in a vibrational state of truly wanting to help someone and heart-centered during readings. I also advise doing the work and practicing as much as possible alone and with others to gain confidence and strengthen those “psychic muscles”. If you’ve done the energy work and you’re in the flow, trust the process and trust whatever comes to you. It’s often the information that seems completely random and like a shot in the dark that is the information that they really need to hear.

Finally, if the client doesn’t understand the information that’s being presented don’t get discouraged. Sometimes people have what I call “psychic amnesia”, where they just aren’t connecting the dots while you’re giving them a reading because they’re immersed in the experience of having a reading. The client also doesn’t have all the information about what’s being read – which is why they’re coming to you, remember – so there’s bound to be information that they don’t understand or don’t know. After having countless people come back with “you were right after all” you learn to not be discouraged when people don’t seem to resonate with the reading at the time.

Are there any new projects you are developing?

Yes, a couple. But right now they’re all secret. I try to keep my focus of manifestation silent until they’re manifested, even if I want to tell everyone about it out of excitement. I suggest keeping an eye on my Facebook Page  and my Twitter  for future announcements.

More About Mat Auryn

Mat Auryn (New England) is a witch, writer, professional psychic (www.matauryntarot.com), and occult teacher throughout New England. He has had the privilege of studying under many different occult teachers and traditions, and is currently a priest and mentor in the Sacred Fires Tradition of Witchcraft . He writes for Patheos Pagan in his blog For Puck’s Sake , The House of Twigs , Horns Magazine , on his personal website (www.matauryn.com), as well as other magazines, podcasts, anthologies, and websites.

Mat Auryn has had the honor of helping thousands of people gain clarity through his skills of psychic ability and tarot reading throughout the world over the last decade. He has been interviewed on radio, in magazines, and on several websites and private newsletters. Mat teaches various metaphysical and occult subjects ranging from psychic development, magickal empowerment, working with spirits, divination, energy healing, lucid dreaming, divination, astral projection throughout New England including Salem, Massachusetts, known internationally as the Witch City.

As always if you enjoy what you read here please remember to like, comment, and share !

2018-04-08T19:17:56-05:00

Love Magic by Lilith Dorsey. All rights reserved.

Warning Rant : It has come to my attention that there has been some discussion, behind my back mind you, that people have been talking about my latest book Love Magic and questioning my ethics. I’m not sure these people even looked at my book, but I am sure they are misguided, opportunistic, and that their own ethics and motivations are questionable. If people have a question the honorable thing to do is to talk to me.

Ethics can be a tricky business where magic is concerned, especially when we talk about love. People will do almost anything for love, and sometimes that isn’t a good thing.

What Love Magic Is and Isn’t

From the very start when I started thinking about writing a book about Love Magic the question of ethics was in the forefront of my mind. In my over 30 years as a professional psychic, witch, and Voodoo Priestess I know that people have very dubious ideas about what magic is and isn’t. Many people, likely influenced by Hollywood, think that magick is firmly rooted in control and dominance. We have seen these fictional stories over, and over again, and not just in the media. In Love Magic I tell a story that I have used as a cautionary tale for years when giving advice to my clients. It illustrates the age old maxim “be careful what you wish for.” We call this story the “Gotta Have Pat” lesson.

There was a man who was obsessed with his lover Pat. Pat did not return the affections in the way in which the man would have liked. Pat had other lovers, and refused to commit to a serious relationship. The man was heartbroken, and desperate. He did everything he could to have Pat in his life. He got card readings, lit candles, went to every store in the area and tried every love spell available. By the end of this process the man had a giant love altar set up in his home, filled with pictures of Pat, candles, crystals, herbs, jars, and the like. Eventually the two got together. Unfortunately both of them died of AIDS shortly after.

Now don’t get me wrong, obviously not everyone who does magic will end up with a tragic result, but I deeply understand how people must be very cautious. I had a client a few months back who came to me for a reading and spellwork after he had broken up with his partner. He asked me upfront what usually happens in these situations. I told him people most often work for what they want, and then aren’t happy when they get it. I don’t know if it’s just part of the human condition, but after a few weeks this gentleman got what he wanted, and was back again to ask for the exact opposite. This is why the Love Magic book I wrote is full of spells to help bring the best possible love to an individual. There are spells for self love, romantic love, and every other kind of love you can think of. There is a lot of information on ethics, and how to proceed responsibly when it comes to love spells. It would be very wrong not to include these things. I urge everyone to practice magic ethically, and to strive for their most highest good. I don’t have time for haters and others who want to indulge in bad ideas (either behind my back or under my nose,) life is too short and too beautiful for anything less than great joy.

If you have enjoyed what you read here please remember to share ! We love it !

2018-02-08T21:29:55-05:00

Hogwarts students photo by Tom Hilton. Licensed under CC 2.0

Eye of Newt, Let’s all get tipsy, Turn this water into Hennessy ! – inspiration from #BlackHogwarts

Despite it painful lack of Black characters, there are several Black folks, myself included, who are fans of the Harry Potter films. People of color only have 5 minutes and 40 seconds of talk time, out of a combined 1,207 minutes of film in the series – according to the Every Single Word website. What has sprung up recently in response to this is a thing of (Black) beauty.

#BlackTwitter for the past year or so has been creating a space for people of color to create an alternate dialogue. First there were #Blerds dominating the Twitterverse, and now we have #BlackHogwarts . As reported on by Seventeen Magazine ” Recently, Black Twitter hopped on the Hogwarts express and took the long, winding journey to the wizarding world – and thus, Black Hogwarts was born.People are now tweeting iconic Harry Potter scenes, but with black characters…. “

The #BlackHogwarts tweets provide a voice and arena for those who have been silenced. The cast of characters is ready made. Snoop Dogg is Professor Sprout,and then there is The Fresh Prince of Hogwarts. The song would go a little something like this –

” I went up to my bed about seven or eight

‘Yo Ron, I’m too tired, I’ll play chess wit u lata’

No way a fresh kid would eva meet Voldemort

So I’ll just enjoy being Prince of Hogwarts”

Much of the re-imagining has come in the form of brilliantly funny memes. There are the genius ones like the invisibility Tims –

There are really meaningful ones like this –

 

The use of Morgan Freeman as Dumbledor has still got me smiling.

 

What are your favorite #BlackHogwarts moments ? send them to me here or on twitter @LilithDorsey . As always if you have enjoyed what you read here please remember to lift your wands and share, share, share !


Browse Our Archives