Roma begins in water. It’s all we see at first—the water washing over black-and-white tile like a tide. Most movies, if they contained a scene like this at all, would hold the shot for just a second or two. But director Alfonso Cuarón lingers here for minutes, and in so doing the moment unfolds like a flower. We see not just the water, but the tile underneath, the soap bubbles clinging to the surface, the reflection of a faraway plane,... Read more















