“Why do you wear a guillotine around you neck?,” someone asked me. Just recently, a student gave me a guillotine pendant after we finished reading A Tale of Two Cities. I now wear it, openly, around my neck, certainly not as an endorsement of revolutionary violence, but as a reminder and a provocation to genuine reflection. In A Tale of Two Cities, the guillotine is never just a machine. It is an idea. A promise. A hope. And Dickens insists... Read more















