“1917” is a relentless video game-like imagining of one day during World War I. Though it shows the horrors of war, Sam Mendes’ indulgent spectacle fails to take into account the audiences’ will or ability to sustain almost two hours of horror for a five-minute denouement. As a whole, the film fails cinematically even if some scenes are effective. It is not based on one true story, but an amalgamation of memories. Set in the trenches in France, mild-mannered British... Read more
‘Non-Fiction’ shows people lost in a publishing limbo (Doubles vies)
I would like to introduce you to a film by the writer-director Richard Linklater of France: Oliver Assayas. This is so at least in his new film “Non-Fiction.” Why, you ask? Because he, the screenwriter, just cannot stop talking. After the first ten minutes of the film I thought I was listening to Ethan Hawke and Julie Delpy talking and talking as they do in Linklater’s “Before” trilogy, hoping they would actually do something other than pose and re-pose at... Read more