This exhilarating and hopeful film tells the story of high school students from several schools in the USA, Brazil (two students from a rural area take on the Zeka virus), Germany (a student takes on aerospace) as they prepare for their state or national science fairs and then, for the winners, on to the International Science and Engineering Fair (ISEF). It demonstrates not only intelligence and interest in the world and science but that these modest young people, and... Read more
This very funny film documents a weekend of sparkling conversations between Dames Maggie Smith, Joan Plowright, Eileen Atkins and Judi Dench at Plowright’s countryside home. It is intimate, a little salty, and most entertaining. Director Roger Mitchell (Notting Hill), with minimal suggestions to the ladies, turns on the camera and lets these friends chat about their careers, acting, families, and life. Augmented with archival photographs and footage, their stories combine into a thoroughly enjoyable narrative. If you already like... Read more
In Ken Marino’s lightweight predictable romantic comedy, the best part is in the last five minutes and then the outtakes alongside the credits. The cast includes Vanessa Hudgens as Tara, Eva Longoria as Grace, Nina Dobrev as Elizabeth, Ron Cephas as Jones, and Jon Bas as Garrett. The plot entwines the lives of various people in Los Angeles, from childless parents who adopt a young girl and then adopt a dog, to a talk show host’s love life and... Read more
Courtesy of Magnolia Films New York City in 1978 was on the verge of bankruptcy. The tenements of lower Manhattan looked bombed out and graffiti was exploding across the city and on the subway trains to the tune of hip-hop and the vision of break dancing. While many people, if not most, considered graffiti a blight, emerging street artists were paying attention. Today we have Banksy; the late 1980’s had Jean-Michel Basquiat. This new documentary by director Sara Driver... Read more
Marion Cotillard and Charlotte Gainsbourg in ISMAEL’S GHOSTS. Photo courtesy of Magnolia Pictures. Noted French director Arnaud Desplechin’s sometimes interesting, often confusing, random, occasionally frenetic narrative is about a filmmaker, Ismael (Mathieu Amalric) whose wife Carlotta (Marion Cotillard), disappeared twenty-one years previously and has been declared dead. He is still friends with her father Henri (László Szabó) and is in a passionate relationship with an astrophysicist, Sylvia (Charlotte Gainsbourg). Life is good as Ismael works on his new feature film at... Read more
Here’s a link to a podcast where I am in conversation about the Oscars: In Conversation Listen to Sr. Rose Pacatte discuss the threads of Catholicism running through many of this year’s Oscar-nominated films and hear her predictions and hopes for the Academy Awards in the latest episode of NCR’s podcast. My Oscar reflections, hopes and scolds 2018 I watched about 85 films in 2017. It was an exceptionally good year for cinema. History, humanity, humor, family, religion,... Read more
Here are my reviews at Reel Time at St. Anthony Messenger for March, 2018. Read more
One of the coolest parts about being a film critic is that I can choose the films I liked the most from last year and no one can complain. Well you can, but too bad. Actually, you can make your list, too, and I hope you will do so. 2017 was a brilliant year for cinema. Some people still complain that nothing good coms out of Hollywood. True, some years the pickings are slim, but the 2017 crop is exceptionally... Read more
The movie opens in the midst of Europe’s Industrial Revolution around 1840. The German and French underground intelligentsia writes and publishes furiously about social and governmental ills. Karl Marx (August Diehl) is a liberal who supports the working class and Friedrich Engels (Stefan Konarske) is the son of a rich factory owner in Manchester, England. The film chronicles their first rather antagonistic meeting and their lifelong friendship, Marx’s marriage and family (his wife is played by Vicky Krieps who stars... Read more
Click here then scroll down to see my review at St. Anthony Messenger. Christian Bale is, as usual, very good. Wes Studi is always good as is Rosalind Pike. More than a revisionist Western this shows white people having remorse and angst (that’s the revisionist part) for the violent white westward expansion that decimated the Indian peoples – but Indians still do not have much of a voice here. At first I was surprised that Wes Studi took this role... Read more
Ad-Free & Subscriber Log-In