Box office: Exodus: Gods and Kings loses its audience faster than any recent Bible movie or Ridley Scott film
Exodus earned an estimated $8.1 million this weekend, which represents a drop of 66.6% since last week. (Yes, that’s the actual number being floated by Box Office Mojo.) That’s steeper than the 59.5% by which Son of God dropped in March and the 61% by which Noah dropped in April.
Entertainment Weekly has a new interview with Ridley Scott in which the director discusses some of the films he plans to make after he finishes Exodus: Gods and Kings, such as the sequels to Prometheus and Blade Runner.
First up is The Martian, which is set on Mars — and Scott says he’ll probably shoot the Martian scenes in a place in Jordan called Wadi Rum. Entertainment Weekly then goes on to explain that this location was previously used in Lawrence of Arabia — where it served as the home of Auda Abu Tayi, the Arab chieftain played by Anthony Quinn — and, more recently, in Scott’s own Exodus: Gods and Kings.
Many blogs were quick to note The Hollywood Reporter’s story today on the making of Noah. Few if any, however, noted a sidebar to the Reporter story which gave a nod to the other two Bible movies coming out this year, i.e. Son of God and Ridley Scott’s Exodus.
The sidebar doesn’t offer much new info about either of those films, but it does include this bit about Exodus: “Details are scarce, but sources tell THR that Scott, an avowed agnostic, has chosen an unconventional depiction of God in the film. If so, it faces the same challenge in wooing religious audiences as Noah does.”
Two months ago, we saw some pictures of Christian Bale as Moses and Joel Edgerton as Ramesses on the set of Ridley Scott’s Exodus — but those were basically paparazzi shots, unauthorized by the studio. Today, however, we have our first officially-sanctioned picture of Bale as Moses, courtesy of Empire magazine — and, like the earlier pictures which showed Moses holding a bow and arrow, the new picture is slightly unusual in that it shows Moses sitting on a horse, which I can’t recall seeing him do in any other film before. (He usually walks or, in his prince-of-Egypt days, drives a chariot.) You almost wonder if Scott is subconsciously turning this into another Robin Hood movie. Anyhoo. Click on the picture above to see a bigger version of it.