I find artistic depictions of Christ to be fascinating, not only because they reveal truths about Christ, but because they reveal our own priorities, blind spots, and worldviews. Take Matthias Grünewald’s Isenheim Altarpiece, for example. In his depiction of the resurrection, Grünewald’s Christ springs forth triumphant from the tomb, while the soldiers run in fear. The light pouring from his face and wounds might be theologically edifying, while dwelling on Christ’s victory over death. But, conversely, it isn’t hard to... Read more