This post is part of a ten-part series drawing from the Arts and Faith Top 100 Films. You can read the introduction the series here, along with the schedule of films to be featured. Note: My apologies for the tardiness of this post. Of all of the world, art-house films in my current series, Yasujiro Ozu’s Tokyo Story (1953), with its simplicity and easily recognizable characters seems one of the most accessible to a general audience. Yes, you have to... Read more