Orvieto and the Feast of Corpus Christi

Orvieto atop a butte

The town of Orvieto is an Etruscan city located in the scenic region of Umbria, between Firenze (Florence) and Roma (Rome).

I first visited the medieval town of Orvieto in 2002, and again in 2006.  It’s the eucharistic miracle which is preserved there that I want to tell you about today—but first, let me tell you a little about this picturesque little town.

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Getting Up There – Orvieto sits atop a volcanic rock, on a high butte overlooking the plain; and our group rode a funicular, a hillside train, from the valley below.  The original funicular, with its water ballast counter-balanced cabin, was replaced in modern times by an automatic line.  There is no driver aboard the cabin—just a single operator who manages the computerized system from the upper station.

Troubled History: A City Under Siege – The citizens of medieval Orvieto thought they were safe, up there on that butte.  When attacked by other groups, they could fend them off, hurling arrows or axes or rocks over the cliff.  What they weren’t prepared for, though, was a long siege.  On their fertile butte they could grow corn and other crops, even raise cattle and chickens; but they descended to the valley to get their water.

When many of the town’s citizens died of dehydration following a long siege by the Romans, the people of Orvieto conceived the idea of a deep well.  Utilizing a double helix staircase St. Patrick’s Well, as it was named, descended from the upper plain 248 steps to the water level.  Families maintained narrower artesian wells, down which they could drop a bucket to retrieve water for drinking, cooking and bathing.  In the walls of the deep wells, the Etruscans dug holes which served as dovecotes, encouraging pigeons to nest. At dinnertime, the enterprising Etruscans simply reached into the well, pulled a dove out of the nest—and enjoyed the bird roasted.

Popes In Residence – Orvieto, securely situated and not too far from Rome, was a place of refuge for five popes during the 13th century:  Urban IV, Gregory X, Martin IV, Nicholas IV and Boniface VIII.  Orvieto’s Palazzo Soliano, the palace of the popes in that city, contains many well-preserved frescoes from 1290 and earlier.

A Crisis of Faith, and a Miracle – Pope Urban IV was in residence at Orvieto in 1263 when a German priest, Peter of Prague, had a crisis of faith.  The priest was devout, but found it difficult to believe in the Real Presence of Christ in the Eucharist.  He was en route to Rome and stopped at the Italian city of Bolsena, where he celebrated Mass at the tomb of St. Christina.  As he spoke the words of the Consecration, blood began to seep from the consecrated Host and trickle over his hands and onto the altar and the corporal.

Shocked, the priest immediately traveled to nearby Orvieto, where Pope Urban listened to his story.  The pope asked that the Host and the bloodstained cloth be brought to him in the cathedral.  Pope Urban and a number of cardinals and Church dignitaries greeted the procession and had the relics enshrined in the Cathedral at Orvieto.  The stained corporal bearing the spots of blood is still displayed there, in a golden reliquary in the Chapel of the Corporal.

Eucharistic Hymns for the Ages – Pope Urban, deeply affected by this miracle, commissioned St. Thomas Aquinas to compose the Proper for a Mass and an Office honoring the Holy Eucharist as the Body of Christ.  The hymns which St. Thomas wrote included the traditional hymns still widely used in Benediction:  the Pange Lingua (with its concluding verses, the Tantum Ergo), the Panis Angelicus, and O Salutaris Hostia.

One year after the miracle, in August of 1264, Pope Urban IV introduced Aquinas’ composition and issued a papal bull instituting the feast of Corpus Christi (the Body of Christ).

Angels in Paris: A Love Song

In Angels of Paris, author Rosemary Flannery reveals a cityscape filled with angels:  angels peeking out of dark corners, peering down from pillars and flagpoles, hanging effortlessly from the long wall of a government building.  I counted 170 of them but there may have been more, hidden in the folds of a young woman’s skirt, bowing before the duchess, flashing shy smiles from door knockers, park benches and flower pots.

Flannery, in her new book Angels of Paris:  An Architectural Tour Through the History of Paris, has explored the romantic streets of gay Paree with a unique goal:  to find and catalog angels in concrete and marble and bronze, her camera revealing their hiding places.
So enjoy the book, if you will, for the architectural photos.  Indeed, one can’t help but grin at the creative ways in which French artists have imagined the angels, conscripting them to tell a story, to celebrate a victory, to mourn a loss.  But equally notable is Flannery’s command of language, as she wields her dual crafts of writing and photography to unlock the secrets of her adopted city.

The Lighthouse Angel, spanning three stories of a bourgeois apartment residence erected in 1860

See what I mean.  Flannery writes:

In French civic architecture, angels take on different names:  renommées if celebrating the renown of a person or a group; angelots for baby angels, a version of the Italian putti or little boy cherubs; and génies or amours if found on buildings other than churches.

The Angels of the Latin Quarter grace a medallion on a cast iron door grille. This one holds a key–to knowledge, perhaps? The other angel, not visible in this photo, holds his finger to his lips, signifying silence.

Most fascinating of all, the angels of Paris reflect l’esprit du temps, the spirit of their times.  Some blow trumpets to celebrate a king’s victories, or carry a laurel wreath to honor the emperor; others mourn victims of the Commune or were once hacked off churches during the Revolution.  They all tell the story of the city during peace, revolution, turmoil, and triumph.

Rosemary Flannery is well qualified to teach us about the Parisians’ love of angels.  A graduate of Columbia University with a degree in French language and literature, Flannery has lived in France since 1989 and enjoys dual French-American citizenship.  She studied Méthodologie de l’Architecture with Professor Claude Mignot, an authority on Parisian building façades, at the Sorbonne.  While at Columbia she co-produced and hosted French Encounters, a public-access television program on French culture produced in conjunction with the French Embassy.  She has produced a weekly cultural magazine for Paris Live Radio, and she offers tours of Paris, especially of museums and of architecture.

Now, though, you can bring her delightful stories home in this, her first book.  Flannery’s mission has been to share the beautiful things she’s seen and the things she’s learned along the way, and to give praise to those who made it happen.  She writes:

Angels of Paris is a hymn to all of the angels, both real and in art, and to the sculptors and the architects that made Paris the beautiful city that it is today.  This book is my love song to Paris, a song of gratitude and appreciation to my adopted city.