Making Superman, Jesus and other iconic figures “relatable”

It’s something of a cliché for religion-minded pop-culture writers to talk about the parallels between Superman and Jesus, especially when there’s a new Superman movie in the works, but Zack Snyder, director of the upcoming Superman reboot Man of Steel, said something in one of the film’s newer promotional featurettes that got me thinking about the parallel from a slightly different angle than usual.

Specifically, Snyder described how the approach taken by producer Chris Nolan and screenwriter David S. Goyer would make Superman relevant to a 21st-century audience: “What Chris and David did was, ‘Let’s let the audience participate in the experience of being Superman, without breaking the things that make him Superman.’ They were able to sort of make him relatable, ground him and make him feel real.”

Two things came to mind on hearing this statement.

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Scripture on the silver screen / New productions bring Bible-based stories to life

You often hear that the Bible is the best-selling book of all time. It turns out that movies and TV shows based on the Bible can set records in their own mediums, too.

The most recent example is The Bible, an ambitious mini-series produced by reality-TV mogul Mark Burnett (Survivor, The Apprentice) and his wife Roma Downey, former star of Touched by an Angel.

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The naked Christ in film: birth, death and resurrection

“The Word became flesh,” according to John 1:14, but that flesh has been hidden, for the most part, in movie portrayals of Jesus. At certain key points in his life, history and even tradition would dictate that Jesus ought to be depicted nude — and there are good theological reasons for doing so. But films have tended to shy away from nudity in their own portrayals of those parts of the Jesus story.

There are some obvious reasons for this reticence, of course, starting with the fact that film, for much of its history, has been forced to skirt around images of nudity in general, and images of male nudity in particular. Plus, when a film does show someone’s nudity, it does not merely show you the character’s nudity; it shows you the actor’s nudity, as well, and the knowledge that you are seeing an actor’s naked body can sometimes distract you from the character. This is especially true when the character is meant to be an embodiment of divinity like Jesus.

There have been at least three significant exceptions, though — three films that each depict the nudity of Jesus at a different key point in his story.

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History and tradition in movie depictions of the Cross.

Western Easter came and went last week, but the Eastern churches are currently only half-way through the Lenten season, so yesterday was, for us, the Sunday of the Veneration of the Precious Cross.

Thinking about this, I inevitably started thinking about Jesus movies, and I began to think about the fact that the recent mini-series The Bible has joined Mel Gibson’s The Passion of the Christ in taking a step back from recent “historically accurate” depictions of the Crucifixion towards a more traditional sort of iconography.

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The Bible: final episode, first impressions

And so it ends. Here are my first impressions of the final episode of The Bible, which aired last night.

Continuity between Bible stories, redux. Once again, I am impressed by the fact that this adaptation-of-the-whole-Bible approach — whatever its limitations — has allowed the filmmakers to emphasize the continuity between Bible stories in a way that you rarely see in other films.

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The Bible: third episode, first impressions

Three down, two to go! Here are my first impressions of the third episode of The Bible, which ended the Old Testament section of the mini-series and began the New Testament section.

Continuity between Bible stories, redux. For all my grumbling about the series to date, there is one thing about it that I have always appreciated, and that is the way it links the various Bible stories, whether by having characters in one story recall what their ancestors did in another, or by having the angels appear in multiple stories wearing the exact same clothes, etc. And the first half of this episode is seriously impressive on that level.

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Samson and the upcoming Bible mini-series

For just over a month now, the History Channel has been releasing a series of clips and trailers to promote their mini-series The Bible, which premieres March 3. The promotional campaign started, appropriately enough for mid-December, with a couple of Christmas-themed ads, and it has since moved on to clips and images from other parts of the Good Book.

Today my fellow Patheos blogger Rebecca Cusey posted one of the first images of Samson, who is played by British actor Nonso Anozie. And, as you can see, this Samson looks a little different from the Samsons you might have seen in earlier films or TV shows.

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Pontius Pilate is ready for his close-up.

Deadline reports that Warner Brothers has acquired a script about Pontius Pilate, the Roman procurator who condemned Jesus to the cross. No director is attached yet, but the script was written by Vera Blasi and the movie is set to be produced by Mark Johnson, whose credits include the TV show Breaking Bad and all three movies in the Chronicles of Narnia series.

Deadline’s Mike Fleming, who has seen a draft of the screenplay, says it depicts Pilate as “a ferocious soldier” whose military exploits put him on “the political fast track” until the Roman emperor Tiberius assigns him to a position in Judea, rather than in Egypt as Pilate had expected. [Read more...]

Ethnicity in Jesus films – does it matter?

In 1961, Metro–Goldwyn–Mayer produced King of Kings, the first major Hollywood film about the life of Christ since the silent era. The virgin Mary was played by Siobhan McKenna, a respected Irish actress in her late 30s, and the villainous Herod the Great was described by the narrator as “an Arab of the Bedouin tribe.”

Nearly half a century later, things have flipped around. The Nativity Story, produced by New Line Cinema (the same studio that made The Lord of the Rings), casts an Irishman as King Herod; and several of the supporting actors were born in primarily Muslim territories, such as Iran and Sudan, or can trace their family roots there.

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Top Ten Jesus Movies

They’ve been making films about the Son of God for over a century. Here’s one man’s list of those that ascend to the top of the cinematic pack.

Of the making of movies about Jesus, there is no end. In the first three months of this year alone: Son of Man, which casts a black man as Christ and sets his life in modern South Africa, got positive reviews at Sundance; the makers of Color of the Cross, which also casts a black man as Christ, established a website with trailers for their work-in-progress; and New Line Cinema announced that Oscar nominees Keisha Castle-Hughes (Whale Rider) and Shohreh Aghdashloo (House of Sand and Fog) will star as the Virgin Mary and her cousin Elizabeth in a new movie about the Nativity, to be released in time for Christmas.

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